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Fauxhawk (Wesleyan Poetry Series), by Ben Doller
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A politico-linguistic problem, a conflicted hairstyle, and a conflict-bound drone, Fauxhawk works in the space where dissent becomes materialized, ironized, and commodified. Engaging drone optics, redactions, renditions, comedy, and cinema, Ben Doller wrenches exuberant music from the drone of the everyday. The citizens in these poems are fraught in their passivity, both ashamed of being and of being surveyed. Occupied by the material forces conspiring against poetry, Fauxhawk takes on the economics of writing, university bureaucracies, and complicit injustice. The poems in Doller’s thrilling new collection attempt to find their own tone amid the blare via formal innovation, carving a space where presence is signified, in hopeful and clarifying resistance. An online reader’s companion is available at http://bendoller.site.wesleyan.edu.
- Sales Rank: #2765984 in Books
- Published on: 2015-09-15
- Original language: English
- Number of items: 1
- Dimensions: 9.10" h x .70" w x 5.90" l, .0 pounds
- Binding: Hardcover
- 100 pages
Review
“Radical musicality and conceptual urgency merge in these new poems by Ben Doller. From a ‘translation’ of Hopkins’ ‘The Windhover’ into a sonnet on drone warfare to the redaction of military documents in the poem ‘Pain,’ Fauxhawk will change the way we conceive of literary practice for years to come.” (Srikanth Reddy, author of Voyager)
“Hilarity overcomes wit in this deft cultural feast of verbal play and snappy form. Doller has “updated” the poetry “interface” with semiotic streaks that pulsate through acoustic layers of paradigmatic élan. Hold on to your aesthetic hat as a cool, fresh wind is blowing.” (Charles Bernstein, author of Recalculating)
“Ben Doller distills the chatter of American babel into a fractal argot as barbaric and incantatory as Whitman's yawp. Fauxhawk is a metapoetical critique―sometimes cheeky, always biting―of the linguistic detritus that clings to our projection of self against the bleak landscape of the 21st century. 'Amphibians fasten your windholes,' Doller's latest will blast an incisive hole into your conventional notion of a lyric subjectivity.” (Carmen Giménez Smith, author of Milk and Filth)
“The manic language in these poems has a quality of suspicious sensitivity. Is there such a creature as a fox-hawk? If so, these poems would represent both fox and hawk, sparring with grace and terror in relation to each other.” (Fanny How, author of Second Childhood)
About the Author
BEN DOLLER is the author of Dead Ahead, FAQ, and Radio, Radio, winner of the Walt Whitman Award. Along with the poet Sandra Doller, he has published two collaborative books. He is an associate professor of writing and literature at the University of California, San Diego.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Wicked Brilliant
By Grant Barber
Doller's book and poetics resist the surrealist non-sequiturs of so many poetry collections, ditto the painfully shallow autobiographical poems of the MAWM school (although he does have one poem where he skewers those). He engages language, sometimes to hilarious, witty effect. I had not thought that any serious writer could really use terminology from the computer/internet world without being forced and painful, but Doller succeeds, doesn't make the reader wince, although the focus is always on the language, doesn't overdo the ereferences. At the center of the book is the poem Hello, short lines (two words usually), each line footnoted, with gloss/explanation, sometimes as prose poems, but always witty, as well as a sort of history-of-the-writing-of-the-poem, slash ars poetica. I'm tempted to say an unintended consequence is that it makes reading the rest of the poems potentially exhausting: the guy can riff on just two word lines to such a degree that you just know the other poems call for similar reflection. He is teaching how to read a poem. I know I have an earlier poetry collection, Radio, Radio. I know I read it. Not sure I was prepared to be blown away like I was for this volume though.
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